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Writing Tips

Don’t Have Stupid Characters

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The post title is pretty self explanatory but let’s delve into it a bit shall we? How many of us as readers get annoyed when we figure something out long before the character and then the story drags and drags as mentally we just keep saying “Come on already. They totally should’ve caught on by now!” It makes what could’ve been a great experience into just an okay one, and a just okay book into down right awful.

Most of the time as readers we like to be given information that the characters don’t know, however, when there’s an event or a situation that should’ve been a light bulb moment and the character is just clueless and still doesn’t know? That’s a problem. This reads untrue to any semi-smart human being and even if you have a dopey/stupid character — fine — but make them that way all the time, with all decisions. When characters don’t learn or realize things for an extended period of time it feels like the author is extending the conflict because there’s nothing else going on.

This falls right along with giving your characters some common sense. When they take everything at face value and don’t question what they’re being told, yeah it feels fake and contrived, like the author had no other ideas for conflict. The trick would be throwing in an instance or two as a subplot when a lapse in common sense raises the stakes (especially in an already high stake climax plot wise).

Yeah, No.

Being too easily manipulated also comes to mind, and it can really ruin the realism of any story. So don’t fall into that trap. An example? The Prince in Mirror Mirror, he seemed pretty smart and with it (And I actually kinda liked him) until he took the Queen’s word at face value and wouldn’t listen to Snow White. Yeah I’m aware it’s a spoof type movie and fun, but really? They couldn’t give him a little more intuitiveness? And then turning him into a guy who acts like a dog didn’t help either. I definitely want some more good prince characters out there à la Prince Henry from Ever After. So I guess I’ll just have to write those stories myself but more on that later.

We relate to stories most easily when the characters are relatable, have faults, and make mistakes, but this doesn’t mean making them blind to all possible flashes of insight and inspiration. Let’s give our characters some life and make sure they aren’t acting stupid in very convenient places just to extend plot and word count.

Cheers!

Make sure to check out the latest DanielleWAM post When Your Writing Gets a Burst

Editing, One Weird and Hard Hat to Wear

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Some days it’s much harder than others to turn off the creative side and to think like an editor. To look objectively at the phrases that have been put on paper and to distance ourselves from these characters that we love so much.

Most of you know Lasera is my first novel. Just a bit ago I’d put on my editing hat again. Now maybe it was because I haven’t done any serious pruning to this manuscript in over a year, or maybe it’s because I had a particular attachment to what I was cutting but for some reason, I cut one paragraph and I gave a little inward gasp. “Like Oh My Gosh I actually just hit control-X. Gah!” But then I took another breath and I was okay and remembered that this was all part of the process. And it’s not like I haven’t cut things before, last year I’d cut pages at a time. But I’d gone to a writer’s conference and wanted to implement some of the things I’d learned.

Suffice it to say the it’s taken me over a year to implement those changes in just about half the book. I just really find it hard to put the editing hat on. Not so much because of the cutting stuff like I described above, but more because of the lack of creativity. It’s work. And it really feels like work.

I read in an all around improve your writing book that if you’re not enjoying the editing process you’re doing it wrong. Yeah definitely call Bull on that one. Maybe for some personalities it’s possible to like the editing hat, and maybe for others they can grow to enjoy it, but for me? Yeah, it’s like trying to like a chocolate covered onion, it looks like it could be something good and then you take a bite.

All of that said though, editing is so needed. I know my book needs it, I know that I need to keep at it. It’ll really be worthwhile in the end, because I’ll have put my best book forward.

There’s a lot of different editing advice out there, but the best I’ve heard yet — which came from that writing conference I went to– record yourself reading your manuscript and then listen back to it. With smart phones, totally doable. Try it! I will be as soon as I’m done this last little bit :S 😛

So if you’re like me and stuck at that spot where you’ve just got those last few sections of revision to go? Put your butt in that chair and just get-er-done!

Check out today’s post on DanielleWAM: Get A Designer and Brand Yourself

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Talking About Your Next Big Idea. Amateur or Professional?

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Doesn’t matter what subject it is, there will always be differing opinions. Fact of life. But as writers we have to wade through so much garbage, that I’d say every single person out there who has any aspirations of being a writer needs to take any advice about writing/publishing with a huge grain of salt. As in like a massively sized boulder piece of salt.

Essentially you gotta work your way through everything and pay attention to things that are said consistently, but read the opposing views, and then do what works for you and what feels right. Read lots and research lots about writing and the skills required for the craft. However just because a best-selling author says something doesn’t mean it’s true for everyone. Suggestions and posts I make might not be everyones cup of tea either, so read even my posts with a discerning eye.

Ya or nay? Discussing your WIP

Where am I going with all this? Well, I’m having a bit of an inner debate on whether or not I, as a new author, should be discussing -in detail- my current novel with others. In the last little while I’ve seen a lot of opinion regarding talking about your current WIP (that’s work-in-progress for all you newbie/non-
writing folks) and there seems to be a split right down the middle.

Many seem to feel talking about an idea and what you’re currently in the midst of writing is amateurish and screams of insecurities. Others say that in fleshing out ideas and discussing your project with others is the sign of a professional as you’re building up an audience and garnering interest.

My opinion? For the longest time I felt like I could and should be talking about my book as much as possible. As I came across more articles that addressed this and said that I shouldn’t be talking about my WIP I shifted my view to try and see their points. I think that in this day and age of rampantly expanding e-books/self-publishing and the astoundingly far reach that is social media, an author would be doing their book more harm than good if they kept quiet about it.

To clarify though, I think that if a writer’s idea is in its infancy and their novel is just barely started out, I’d be leery of how much and what you share with others. I would say don’t start talking details until the novel and its basic plot and theme are set in your mind. When you start to second guess yourself and let others influence your imagination and thoughts, it can be confudelling. Some have said that a good rule of thumb is to not discuss anything until your first draft is written. This is a good basic rule of thumb I think. But for me personally it just wasn’t what I wanted to do. I hashed out and plotted an entire series of four books (which later turned into six) before I was done chapter two of Book 1. So my ideas and themes were pretty much nailed down. On the pro side for discussing before your draft is finished, sometimes those who are totally removed from the world you’ve created can solve problems that you had no solution for. This happened to me with one specific detail I couldn’t quite get to work. Talking about it over dinner with my husband and our two roommates at the time, I had a solution before dessert. Discuss what you want and be open, but be wary and don’t allow too much influence, this is your work, your voice! It’s when you get a lot of different ideas and advice from a ton of people and you try to implement them all that you run into trouble. If you hear the same thing from 3 different people it should receive due consideration, but if its a single person take the advice as simply that one person’s thoughts.

At the same time have a short pitch of specifics things to say to friends and family. (ie an elevator pitch) Be enthusatic, love it and own it. It’s your work. You SHOULD be excited about it. So I say share it! (after you’ve nailed down the basics in your mind of course. :D)

What say you all those other authors out there? Sound off in the comments below.

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Writing & Editing Like Mad. Harper Voyager Taking Unsolicited Manuscripts.

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So this is going to be a very short post because I need to get back to my manuscript, but suffice it to say I am very excited. Not too long ago I found out the Harper Voyager is accepting unsolicited manuscripts from Oct 1- Oct 14, 2012. (Which starts today! :D)

I made the decision that I would submit. But this meant that I needed to go back and rework all those things I wanted to adjust after great feedback from the workshop I went to in Aug. (see here) I also need to add about 10,000 words because they state it has to be at least 70,000 but prefer 80-120,000. I’ve done some serious editing but I’m sitting at about 60,000 words right now so I might possibly even have to add 20,000 words. A daunting task to say the least.

This opportunity is unprecedented (as far as I know) and I am so happy I can be a part of it. Here’s to all the other writers out there! Keep on keeping on. And WRITE!

Why Using Someone Else’s Brain is So Fantabulous

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This blog has seen a huge hiatus but thankfully, I’m back on the bandwagon. Hip hip hooray!

A little over a month ago I had the most amazing opportunity. Along with eleven other author attendees I was part of a workshop that was presented by Adrienne Kerr Commissioning Editor, Penguin (Canada). This post is written with her permission but has not been reviewed by her. The two day experience I had truly showed me the immense value of picking someone else’s brain, most especially after they’ve read your work.

With eleven other brains giving me in-depth critiques of my query letter, sample pages and my synopsis I had so many “Ah-ha” moments I lost count. It really helped that it was such a diverse group of writers. I found it interesting that sometimes even they disagreed on different aspects of my novel. But I learned quickly that if many people were saying the same thing it was time to sit up and pay attention. I’m still currently sorting through all the information and help that all of these writers have given me. It’s amazing that so much of what was specifically said helped in so many other aspects of my writing.

Never underestimate the value of new eyes coming to a piece of work. As a writer everything makes sense in your head. All the pieces fit together. New eyes can pick up on so many times where hands skipped over a crucial piece of information that is still in your head. Another person’s brain can also sometimes see themes or ideas that you may or may not have wanted in your novel. I was so excited and happy to have been able to go. This workshop will definitely have to go on my “I must do this every year for my writing” list. 😀
(Don’t underestimate the value of a good iPhone app too. So happy I used voice record and can now play back exactly what everyone said about what I had written).

In addition to all of the above it was truly wonderful to be able to work with Ms. Kerr and have not only so many of my questions answered but have her look at my writing as well.

Needless to say the workshop has really put a burr back under my butt and my writing is really starting to become part of my life again. I’m realizing how much I’ve missed it, and I’m so glad to be back!

Cheers!

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or check out Chapter One of Lasera here